99% invisible, cold war artifacts, crazy clown time, medium format cameras, homemade bread, the dougi, hello



"Bunnies. Bunnies. It must be bunnies! Or maybe midgets..."

"What's a knockout like you doing in a computer-generated gin-joint like this?"

Entries in dreams (2)


waking life

"...the idea is to always remain in a state of constant departure, while always arriving."

when i first saw this film back in 2001, i recall dismissing it entirely as an exercise in rotoscoping. in retrospect, my only defense is that i wasn't ready for it. i was too concerned with its superficial formal strategies, and so i could only scratch at its surface. thinking on it now, rotoscoping as strategy to get the viewer to distance themselves and allow the idea of the uncanny to begin to unfold, is really quite effective.

the notion that a small thing can be off- and that this alone can be a signifier for either waking or dreaming states, is really useful when considering the potential of lucid dreaming.

and at the risk of going off the new age deep end, i have begun to think about this film as an intersection of nearly all the ideas that preoccupy me as of late. and it's inherant to the nature of its subject matter that it has come back to me now, ten years after i first saw it, in a way that is wholy consumable. i think this gets to the idea of layers. and that perhaps life is in fact a series of holy moments that have to be received and understood as layers. eventually the layers may stack up to create a fully formed image. wake up already.



stills from waking life, 2001 directed by richard linklater


inception.lucid dreaming

when idries shah, the preeminant sufi teacher was asked to name "a fundamental mistake of man's," he replied, "to think that he is alive, when he has merely fallen asleep in life's waiting room."

- from exploring the world of lucid dreaming

"dreams, they feel real while we're in them right?. it's only when we wake up do we realize something was actually strange." -dom cobb, inception

when i first saw inception a few years ago, like many people, i was quite taken in by it. i recall thinking at the time that the film felt like a bit of a visual effects game changer in the way the matrix was ten years prior. i still feel that way. both films presented visual effects that were unusual and innovative and wove these effects into a story line in such a way that the results were completely psychologically immersive. the so-called "wizardry" of both bullet time and bending cities have now become iconic. but their emotional resonance within the films endure. i felt this was more than computer graphics posturing. they were and and remain examples of what can be achieved when vfx are allowed to move beyond the literal and into the abstract dream state.

i started thinking about inception again because, like the matrix it draws on some well known philosophical concepts towards constructing a pop oriented interpretation. to this end, the film's use of lucid dreaming theory and research is pretty well known.  having recently begun reading stephen laBerge's book on lucid dreaming however, i find the film's premise even more intriguing.  certainly the film posits some far out concepts. but in principle, the idea that we can achieve greater self awareness and reprogram ourselves in a waking state through lucid dreaming [in other words, inception] is entirely plausible as it turns out. at the moment i am only in the first phase  of the book which focuses on accurate dream recall. but stay tuned for future lucid dreaming updates...